Filmscape Media

Tribes – We Were Children/Sappho

admin — Tue, 10 Jan 2012 14:46:16 +0000

Director Mickey Voak and producer Toby Ross Southall used Filsmcape cameras for Camden band Tribes first two videos from their upcoming debut album ‘Baby’.

Shooting on the Arri Alexa, the video for Sappho can be viewed here.

And the second video for ‘We Were Children‘ shot in Camden Town using Canon 5Ds.

Filmscape wishes all the boys good luck with the launch!

Filmscape Supplies – The Saturdays ‘All Fired Up’ by Stamp Films

admin — Thu, 18 Aug 2011 11:51:00 +0000

Director Ryan Hope and Stamp Films recently used Filmscape Media’s Epic cameras for the video for new Saturdays single ‘All Fired Up’.

Veteran cinematographer Tony Miller used the Epic-M with Arri Masterprimes and took advantage of the cameras advanced low light capabilities in a dark studio at Three Mills.

The finished product can be seen here http://www.youtube.com/watch?v=KdtIfp7WB0w

Ronin 47 – Peter Tangen Photography Promotional Material

admin — Thu, 30 Jun 2011 13:31:06 +0000

Keanu Reeves’ latest feature Ronin 47 is currently filming on Arri Alexas in and around the South East, and with important promotional material needing to be shot discreetly alongside the main unit meant DOP Trevor Forrest chose the Epic-M from Filmscape Media as a small, high quality way of capturing the action without slowing it down.

Whilst still early days for the Epic-M in terms of availability, many UK based features have already adopted it quickly for it’s size and incredible images, most notable ‘Jack the Giant Killer’, ‘Total Recall’ and Ridley Scott’s ‘Prometheus.’

New Arrivals

admin — Thu, 30 Jun 2011 13:18:42 +0000

This week Filmscape has seen the new arrival of a large batch of new cameras, most importantly the new Epic-M cameras from RED Digital Cinema.

With two of the first units in the country, these ground breaking cameras can shoot up to 300fps, output up to 5K resolution and can shoot up to 100fps at 5K. On top of that the unit itself can be stripped back into a fully self-sufficient body, with on small board batteries and solid-state recording.

On top of that, two more Arri Alexas and an Alexa Plus have all arrived and the cameras so no sign of slowing down. Filmscape have supplied dozens of productions these past couple of months on the Alexa including Sket, Cocknets vs Zombies, The Increasingly Poor Decisions of Todd Margaret and documentary series Stephen Hawking’s Universe.

They prove to be more and more popular as a robust, high quality and relatively affordable way of shooting almost any kind of production.

Last but not least, four more Sony PMW-F3s have arrived just in time for Pulse Films’ coverage of the ITunes Festival in Camden filming coverage and interviews for bands and artists such as Adele, Manic Street Preachers, Paul Simon, Arctic Monkeys, Beady Eye, Foo Fighters, Coldplay, Chase and Status and Moby.

Filmscape Supplies – Jack the Giant Killer VFX

admin — Wed, 29 Jun 2011 15:02:37 +0000

Red Lion Films’ ‘Jack the Giant Killer’ has begun shooting in and around Greater London, and Filmscape Media is proud to be part of a huge collaboration of equipment rental companies assisting with the production.

Filmscape were on hand to provide eight Sony EX3 Cameras for main and second unit visual effects work under the guidance of world-renowned VFX supervisor Hoyt Yeatman.

Working alongside the main unit, the witness cameras were used to gather footage that would later be used to apply masks over stand-ins and other CGI characters and backgrounds.